The team who brought us Kitty Queen of the Washhouse, present Weave, the story of a scouse girl with possessed hair extensions. Written by John Maguire and directed by Margaret Connell, Weave is a hilarious one woman show which peeks behind the filter which we live our lives behind to expose the harsh reality beneath.
First published in 1741, the Goldberg Variations is a musical composition for harpsichord by Johann Sebastian Bach consisting of an aria and a set of 30 variations and is considered one of the most important examples of the variation form.
‘My Fairfield Lady’ is the latest production from Liverpool's Royal Court. It’s a new play written by Kevin Fearon and based on the concept of a localised My Fair Lady with a twist whereby the posh, well spoken lady must become ‘scouse’ in order to be accepted. The story line was quite loose in its links to the original classic ‘My Fair Lady’ as the writer brings in more modern themes and although the concept is a funny one, I think there is more work to be done on this show before it becomes a big hit.
LIPA have tackled the famous musical Cabaret and have created a production to be proud of. The team have clearly thought about the current political issues and tied them in with the original production. The clever use of film from 1940’s Germany married with present day news footage added some contemporary context and reinforced how tragically timeless the story is.
Liverpool University Student Theatre round out their 2018/19 season this week with their production of Legally Blonde and wow, is it a good one! Legally Blonde, based on the film of the same name, tells the story of Elle Woods and the extents that she goes to win back her love interest Warner Huntington III.
Always read the small print...Because this is Joseph Conrad's classic, 'retold for today', and it opens, startlingly, with journalist Gitta Sereny interviewing Franz Stangl in 1970, the Commandant of Treblinka and Sobibor. She is known for coining the phrase 'the banality of evil', apparently suggesting that one may do evil without being evil, but another interpretation is that once evil becomes commonplace, an everyday occurrence, the risk is that people take it so much granted, no attempt is made to prevent or overcome it. In this vividly inventive adaptation, the heart of darkness is not found in Africa. It originated in Europe.
Tall Stories have put together a play based on the popular children’s book Room on the Broom by Julia Donaldson. Adapting books is always tricky; in the original book, the tale of the witch who constantly loses items and gives a lift to the animal who finds them until eventually the broom breaks under the strain is told in minutes, so some structure is needed to frame the story and offer more to the audience than simply a dramatized retelling.
The Carlton Players present Rope, Patrick Hamilton’s story of murder and manners made famous by legendary director Alfred Hitchcock. Directed by Elaine Stewart, this play combines social niceties with an insight into the terrifying mind of a cold, calculating killer to create a tense and thrilling piece of theatre.
Naughty Corner’s iconic show Not the Horse is back for its fifth anniversary. A scouse gangster comedy featuring cocaine, ketamine and horse semen, this fantastic show has turned theatre on its head and continues to do so half a decade on.
Techne Theatre Company, under the direction of Thomas Martin, and in association with Peridot Productions (producer Michael Wolf), bring this breath-taking exploration of humanity to life in a production that will wring every human emotion out of you and some, and you will be grateful for it: to know that you’re a human being with real feelings.
I suspect most people over the age of 30 have seen the movie Ghost and I doubt there’s anyone who hasn’t seen a parody of the pottery scene with Demi Moore’s Molly begin caressed by the ghost of her dead partner Sam, played in the film by Patrick Swayze. It’s such an iconic scene and display of love and loss etched into the faces of the two main characters that I did wonder how or if that could translate onto the stage.
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