Excited children of all descriptions packed into the Hull New Theatre on Thursday night, to witness what evilness David Walliams’ Awful Auntie was getting up to.
The dimly lit stage gave no hint of what was to come, with its only adornment being a dolls’ house with a ragdoll leaning up against its wall.
Taking our seats at Hull City Hall, on Wednesday evening, for Opera North’s production of Salome, the first thing that struck me was the size of the orchestra tuning up on stage.To my untrained eye I could make out seemingly dozens of different instruments, making a cacophony of different sounds as each musician prepared to entertain us.
Cinderella is set in the Blitz of London in 1940 and this is not a random choice, it is driven by its musical score. The ballet is set to the music of Prokofiev and whilst Cinderella is composed in the style of the Tchaikovsky ballets, this score is a 20th century version, written during the 2nd World War. It is darker and more powerful, foreboding and lurks menacingly beneath the fairytale glitter.
Confession time. Up to Thursday night, I was a Rumpelstiltskin virgin. I’d heard the name, of course, but never had a clue about the story. But after witnessing balletLORENT’s take on the Brothers Grimm fairytale, at Hull New Theatre, it is a story, and a production, I won’t forget in a hurry.
My giggles started within minutes of this talented, all-female, cast hitting the Hull Truck Theatre stage, on Thursday night, when Whisky Galore came to town.
The moment Christine Mackie, as Donald MacKechnie, opened her (his?) mouth, I was a goner. And I, along with a packed house, never stopped laughing for the next two hours.
Since the show's initial conception in 2003 it has had many variations, the present show has the added appeal of Ella Fitzgerald joining the testosterone fuelled boys of Frank Sinatra, Dean Martin and Sammy Davis Jnr on stage. With a simplistic and effective set with 10 musicians on a platform, and the Musical Director /pianist on the main stage we are transported back to an evening at The Sands hotel, Las Vegas as Frank Sinatra played by Stephen Triffitt takes to the stage.
Every morning when pop superstar Sting left his childhood home on Tyneside it was into the shadow of a giant boat being built in the next door shipyard.
Here’s a question for any parent reading this – when you had your children were you asked 462 questions testing anything from what meals can you cook or whether you can change a fuse?
Well, if you happen to a prospective parent with a learning disability you might be asked to answer those questions and your responses could determine whether you get to keep your child.
The songs of identical twins from Leith might not seem the ideal source material for a jukebox musical but this joyous production uses The Proclaimers’ music to explore the idea of what is home in a world where walls of all kinds are going up.
It was inevitable that this classic eighties movie with such an iconic ending would make it onstage, and first time round it had an original score when it premiered in Australia, but only lasted six weeks.
Suicide is the biggest killer of men age under 45 in this country so When We Were Brothers pertinently explores what is that drives thousands of young males to take their own lives.
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