If you didn’t already know ‘Dirty Dancing: The Classic Story on Stage’ is not a musical. In fact, it’s an epic scene-by-scene recreation of the movie which has been made for the stage, written by Eleanor Bergstein and Directed by Federico Bellone. Sure, all the scenes are there (with some others thrown in for artistic/theatrical licence) and the soundtrack accompanies the story throughout (with some added vocals).
It's the day after Alexandra Burke was announced as a contestant in the upcoming series of Strictly Come Dancing and she's performing in a theatre that's a mere paso doble away from the Tower Ballroom, in a musical directed by Craig Revel Horwood, no less. Do we need a crystal ball to see a glitter ball in her future?
Teenager Ren McCormack's (Josh Dowen) world has come crashing down. After the breakdown of his parent’s marriage he and his mother Ethel (Lindsay Goodhand) find themselves having to move away from the hustle and bustle of Chicago, to living with his uncle in the rural small backwater of Bomont. Attending church along with all the other residents he is attracted to the Reverend Moore and principal clark Vi Moore's daughter Ariel (Hannah Price), maybe it won't be too bad living there!
The National Dance Company of Ireland was created in 1998 and has gone from strength to strength since then touring the world with a very talented cast of national, international and world class dancers, a fabulous band and although the programme and online advertises three Irish Tenors, tonight it was slightly disappointing that they were not on this leg of the tour.
Charlotte Josephine, Ian Townsend and Shauna Mackay were the first winner of the Octagon’s National Prize that aims to showcase new writing, although it might have been a braver choice to have at least one winner who was actually a newer writer.
Musicals based upon 'chick flick' movies are something you either love or hate, this evening at Blackpool, love was definitely in the air for the audience if not for wedding singer Robbie Hart (Jon Robyns) who finds himself jilted at the altar by fiancée Linda (Tara Verloop).
I currently have the Hamilton: The Musical soundtrack playing on repeat on my sound system. I love its originality, exuberance and chutzpah and the fact that it manages to teach me history in a totally painless way. I'm betting when Lin-Manuel Miranda first mooted the idea he was greeted with disbelief and derisive laughter.
Now I know this is a classic childrens story by Edith Nesbit and a successful film but I have to admit to having no idea what it is all about as I have neither read the book nor seen the film, so it was with an open mind I went to see this musical adaptation by Stephen Kingsbury and Ben Sleep this evening.
With an almost capacity audience the popularity of BBC's Strictly Come Dancing stars Natalie Lowe and Ian Waite is evident. With promises of 'a night you will remember forever' I was really looking forward to this show and took along my mother, a former Latin American dance teacher herself until reaching 80!
Clive John sounds remarkably like Johnny Cash as he takes us on a musical journey performing songs of the late star including each decade from 50's to 80's but not in any particular order. Now although he dresses in the same style, has more than a passing resemblance in looks, has a band playing the same music and also a female singer introduced as June Carter, (Cashs' singing partner on many duets and also his wife), John on several occasions mentions that he prefers the show to be known as a 'celebration' of Johnny Cash believing this to be more respectful and tasteful and is not a tribute act, I am not sure of the difference here.
It has been possibly twenty years since my last visit to Preston’s Charter Theatre. I remember my grandparents taking me to see the annual pantomime there. It got me thinking about this as I watched Ballet Cymru’s version of A Midsummer Night’s Dream. There were pantomimic influences amongst the vast range of influences upon this production.
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